The most reliable voters in the U.S. right now, who are getting to the polls at a higher rate than any other, aren’t white men (angry or not) or soccer moms (translation: suburban white women). An astounding 82 percent of African American women over age 18 cast ballots in 2012 (compared to 67 percent of white women)…
Indeed, black women’s electoral enthusiasm, combined with their preference for Democrats— Barack Obama got 96 percent of their vote in 2012—is the driver behind the much-hashed-over gender gap favoring the blue party. Without women of color (Latinas also went disproportionately Dem, but not as many voted), there is no gender gap: In 2012, Republican Mitt Romney got 56 percent of white women’s vote, similar to what John McCain and George W. Bush reaped previously. [link]
Andrew Mwenda writes:
With the exception of Ethiopia, Africa is de-industrialising. Recent growth has been sustained by high commodity prices and services. There are more manufacturing jobs in Vietnam alone than the whole of Sub-Saharan Africa combined. [link] [h/t Howard French]
Chris Blattman disagrees, observing:
Panofsky argued, very persuasively, that this portrait was not just a work of art, it was also a legal document – the wedding certificate, as it were, of the couple in the painting: Italian cloth merchant, Giovanni Arnolfini, and his wife Giovanna Cenami. Panofsky then showed how every detail of the painting supported his thesis: the small round mirror (God’s all-seeing eye); the small dog at the couple’s feet (“fido” for “fidelity”); the shoes that the couple have taken off (indicating they are in a sacred space and God had just mop-eth the floor); the oranges on the windowsill (you can’t get pregnant if you have scurvy).
Panofsky did such a thorough job and with it he ushered in a new era of art history. He suggested the world was both knowable and solvable. But here’s the snag: in 1990 a document came to light that certified the wedding of Giovanni Arnolfini and Giovanna Cenami occurred in 1447, 13 years after the portrait was painted and six years after the artist had died. [link]
They were playing on one of those spinning things — you know, the one where kids learn about centrifugal force and as a bonus get crazy dizzy. They were having a blast.
“Only white people,” said a little girl.
I heard it, but I wasn’t quite sure that’s what I heard.
“Not you, you’re black,” said the girl, reaching out to touch my son. “You’re not white. Only white people can play.” [link]
The world is turned upside down. The new dogma of the cultural Marxists: Columbus was a genocidal racist. Three of our Founding Fathers — Washington, Jefferson, Madison — were slaveowners. Andrew Jackson was an ethnic cleanser of Indians. The great Confederate generals — Lee, Jackson, Forrest — fought to preserve an evil institution. You have nothing to be proud of and much to be ashamed of if your ancestors fought for the South. And, oh yes, your battle flag is the moral equivalent of a Nazi swastika. [link]
Source: #lionhouse’s isozyme tumblr
Block says he has no idea how many books he has written but estimates it at somewhere below 200 but well over 100.
“I know so many writers who were similarly prolific,” he says.
“Bob Silverberg, a giant of science fiction… was doing two a month for one publisher, another for a second publisher, and the equivalent of another book for a magazine.
“He was writing a quarter of a million words a month.” [link]